In 2011, Úlehla relocated to New York City, where she and her husband, guitarist Aram Bajakian, initiated a new line of performance research based on the ancestral song tradition of her father’s lineage, sourcing folk songs that were collected and transcribed by her great-grandfather, biologist Vladimír Úlehla. The result was the creation of Dálava, a project that lies at the nexus of ritual and performance, evoking the liminal intensity of layered temporalities and the conjuring of ancestral presences. Dálava is often described as shamanic and primordial. It is lauded as one of the most intensely dynamic and electrifying bands in Vancouver, where the couple have recently moved, as Úlehla is currently completing a PhD in ethnomusicology at the University of British Columbia. Her publications include an English translation of Chapter VI of her great-grandfather’s book “Živá píseň” (Living Song, 1949).